GGW Magazine | Issue 01

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In the quiet corners of college labs and under

the lens of a microscope, I’ve uncovered an

alarming truth: the fashion industry is not just

a climate crisis contributor—it’s a public health

hazard.

My

journey

exploring

how

microplastics from textiles affect human health

has led to unique collaborations with students

and faculty across U.S. campuses. I’ve seen

firsthand how fashion’s toxic trail winds its way

into our oceans, our bodies, and even our DNA.

As a quantum physics geek and lifelong

science lover passionate about health and the

environment, I launched DNA Sustainable

Threds—a name that combines my passions

and my kids’ initials. Fashion has always pulled

me in, and though I once worked in fast

fashion, I’ve been advocating for slow fashion

for the past 13 years. I now find myself in the

right place, with the right information, at the

right time.

My deep dive into plastic and its relationship to

fashion took a darker turn after reading a 2020

article in The Guardian, “Microplastics revealed

in the placentas of unborn babies.” The quote

that stopped me cold: “It is like having a cyborg

baby: no longer composed of human cells, but

a mixture of biological and inorganic entities.”

That was the lightbulb moment. I began

designing my own “cyborgs” out of post-

consumer

waste—plastic,

e-waste,

textiles,

discarded sports equipment, and other landfill

debris. I didn’t yet know their purpose, but I

knew the world needed to learn about the

hidden harms of plastic. Since then, I’ve

brought these creations to galleries in San

Francisco

and

Pennsylvania,

runways

in

Chicago, and now to the screen—through a

short film currently in production with LA-

based director Mariel Noir.

THE HIDDEN HEALTH COST

OF WHAT WE WEAR

by By Clementina Martinez-Masarweh

“The Sustainable Latina”

Plastic

Fashion

Kills

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